At first, Jung was worried that his dreams were predicting the onset of a psychosis. But on later reflection and world activities, he thought they were caution him about the nearing earth conflict, which began in August of 1914. Just after these troubling photographs, Jung identified going through a time of strong turmoil and self-reflection, trying to discover a way through the landscape of their own desires, his fantasies, and their relationship to his living, to his work, and to political and social events unfolding all through Europe. In his autobiography he wrote: "I was residing in a constant state of stress; frequently I believed as if massive prevents of rock were tumbling down upon me. One thunderstorm used another." **
First we have to position Jung's visions into the context of his living at the time. Jung was in a turbulent change; he was leaving the "regular earth" of Freud's psychology and striking out on his own, beginning to enter the forest wherever there clearly was number path. He was walking in to the as yet not known and into his authentic living, and then he has the visions.
Next we require to envision the images and the geography in his vision as the ground of his psyche, the landscape of his life at that time. And, subsequent Jung's well-known admonition to "leave your concepts at the doorway," we can do our most readily useful to allow the pictures to talk for themselves. If you were to imagine being the "monstrous ton," you're an elemental, effective, unstoppable, natural force that some heavy cataclysmic event has created a surprise trend, a spiritual tsunami, moving up out and over the land. The ideological walls of meeting cannot keep back or include that aroused sea. From an alchemical perspective, the seas dissolve Jung's former life so that the new being, an actually more real Jung can emerge. Graham Hancock
For Jung, lots of Freud's constructs concerning the unconscious and desires, the structures that had covered Freudian psychology were collapsing. Today the ton starts to feel more like Jung's innovative living and all so it covered being released, freed from the constraints of Freud's psychology--opening the flood gates of his potential. The seas cover all of the "low-lying lands," that could mean all the most popular soil of common psychology where nothing stands apart; the areas of Jung's life by which he felt he'd to set low, evolve, stick to a level playing subject with Freud were now in chaos.
Jung lived in Switzerland, his house and wherever, in his desire, the hills "became larger and larger to safeguard our country." The dream's rising hills around Jung's home-land may well be expressing that by growing above the low-lying places, by standing out with his own viewpoint, that his "homeland," meaning his living, his authenticity, and his innovative potential will shortly be protected. The flood is after the low-lying lands--conformity and the tendency in all of us to pay our innovative some ideas, telling ourselves, "That idea won't ever work. What makes you think you can make any difference anyway? We're afraid to not in prefer of the world's accepted doctrines, to go upstream against the present of common ideas. Therefore we "set low," keeping our genuine life in exile in the "low-lying" land. We are afraid to "occur," which also way to "stay out."